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Ok guys, do you have a charging foul on white 13? Or do you get the first foul, a push by Black 0? Is this a situation where you call both?
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Peace
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Let us get into "Good Trouble." ----------------------------------------------------------- Charles Michael “Mick” Chambers (1947-2010) |
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If you rule that B1 pushed A1 how would you justify also calling a foul on A1 for subsequent contact?
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A-hole formerly known as BNR |
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I don't think, however, in this play that either defender had a limb extended. They were both in a natural stance with their feet roughly shoulder width apart. It is quite possible for an opponent to get their head and shoulders by a fully legal defender and still make contact worthy of a charge.
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Owner/Developer of RefTown.com Commissioner, Portland Basketball Officials Association |
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![]() and an offensive player decides to clothesline himself on my arm, what did I do wrong? Here is what 4-23-1 says: "A player who extends an arm, shoulder, hip, or leg into the path of the opponent is not considered to have a legal position if contact occurs." Shouldn't we read "extending" in this case as happening once the dribbler has started on his path? As in, the dribbler is blowing past me so I extend my arm into his path to stop him. If my arms are extended before the defenders path intersects mine, how is this not legal? |
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A-hole formerly known as BNR |
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I do not recall that the player in question was clotheslined and what I saw was a normal position with their body. Hard to tell anything else, but contact was certainly with the leg of one player and the lower body on the other.
As BNR stated, it sounds like you are making up an interpretation here. Peace
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Let us get into "Good Trouble." ----------------------------------------------------------- Charles Michael “Mick” Chambers (1947-2010) |
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All interpretations are, by definition, made up. |
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Peace
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Let us get into "Good Trouble." ----------------------------------------------------------- Charles Michael “Mick” Chambers (1947-2010) |
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Are you trying to learn how to properly adjudicate a play or win a battle of semantics?
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A-hole formerly known as BNR |
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If the contact is in the torso, then it's a charge despite the outstretched arms. (In both cases assuming other requirements are met) |
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Yom HaShoah |
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Bravo ...
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"For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life." (John 3:16) “I was in prison and you came to visit me.” (Matthew 25:36) |
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I'm looking at this play from a "science" standpoint and than an "art" standpoint. Initially, the drive is coming out of T's area. At the point of contact, you can't even see the T in the picture. The L is already set at the end line and ready to receive the play. Initially, you want the T to be at the 28' mark which you can see marked on the court. When there is contact in the lane, there is a good 1-2 seconds before you see the trail in the picture. I would like to see the T already connected to this play and walk it to the rim so that when contact occurs, it is more viable and believable. I think the L could be more at a close down/pinch the paint mode. As far as the "art" side, the official does not give a preliminary in the video, unless he gave it before you see him in the frame. You just see him pointing. I think he could project more strength, which would have come from giving a pre signal. A lot have commented on the push before the contact. Ask yourself this: which is the elephant and which is the ant? I don't think the "push" had any effect on the offensive player, but the contact caused by him was the greater of the two, or the elephant, IMO. Great play for discussion!
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"I don't referee to be perfect, I referee to be excellent."- Tre Maddox, NBA referee Keep learning and geting better. Give back what you have learned and experienced to someone else. We'll all be better officials for it. "Rules competency breeds calmness and confidence in chaos."-Vince Iandoli "I guess it comes down to a simple choice, really. Get busy living or get busy dying." - Andy Dufresne, The Shawshank Redemption |
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