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Have you seen these slow motion examples of traveling?
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Paul LeBoutillier Ontario, Oregon |
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If you have to slow things down that much to see if there is a violation, then they are not good calls to make.
Peace
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Let us get into "Good Trouble." ----------------------------------------------------------- Charles Michael “Mick” Chambers (1947-2010) |
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Paul
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Paul LeBoutillier Ontario, Oregon |
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Peace
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Let us get into "Good Trouble." ----------------------------------------------------------- Charles Michael “Mick” Chambers (1947-2010) |
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If you want to watch rules and plays watch these for a while; Dartfish.tv - Channel NFHS Basketball Officials Education Channel
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Peace
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Let us get into "Good Trouble." ----------------------------------------------------------- Charles Michael “Mick” Chambers (1947-2010) |
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I have been told many times that not to call the borderline travels and stick with the very obvious ones. Why? Because at the mens level sometimes things happen so fast we dont get to go to video for each call. So who cares about these super slow motion examples of travelling.
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in OS I trust |
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I don't have a travel on the very first one but I don't have a clear enough line on when the ball leaves his hand.
The next one looks really bad once you slow it down, but at game speed if you are calling that one then you will be blowing a lot of stuff in a high school game if you intend on being consistent. The last two are a little easier to call based on the landing footowork and then take off footwork. In both cases there is a lot of changing pivot foot and slow release of the ball going on. But again if you plan on calling all these all night, my guess is in most high school age games and below you'll be calling a travel every 2 or 3 possesions on someone. |
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For example, many spin moves and other moves with the ball "don't look right", yet, we should NOT make a travel call simply because it "looks" like a travel. We can make use of slow motion replays to view those types of plays to be able to ascertain when there IS a bonafide travel and when a play that "looks" like one actually isn't. Once we realize a strange looking play is/isn't a travel in slow motion, we can look at that same play at real speed KNOWING whether it is or isn't a travel to better train our eyes to ONLY make the travel call when the play "looks" like a travel and ACTUALLY IS a travel. |
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Peace
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Let us get into "Good Trouble." ----------------------------------------------------------- Charles Michael “Mick” Chambers (1947-2010) |
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Coach Gbert |
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Sprinkles are for winners. |
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