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when i started with them, I did some pretty loud calls but when I started to tone it down, my evaluations from the coaches (who run the league also) became better, and I got more calls to work their games. the thing is to show that you're in charge without drawing unnecessary attention to yourself. |
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7 years old...not bad but we did have a few from '99 show up in the basketball forum.
I was in my first year of college when this thread was started. My how time flies.
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Even if you’re on the right track, you’ll get run over if you just sit there. - Will Rogers |
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When making calls we make three kind:
1. Important calls... 2. Exciting calls... 3. And...Protocols! Obviously they each have their place. When the situation is tense, such as runners in scoring position, long battle at the plate, or to end a game I reach back and grab a little more intensity and a bit more volume. That's a 2. When it's a banger, or fair/foul, or timing play..yep...#1. Lots of volume. This also applies to any call that must be 'sold' because of how close it is. "Protocols" are those routine jobs - strike three with nobody on base is an example. I use a tone-down style of my exciting call. It still looks sharp but contributes minimally to the batter being embarrassed. I use the same on the bases when the runner is out routinely or by a few steps...if nobody is on I might not even verbalize it. # 3. Your calls are yours. Style is yours. Some advice about mechanics is good, some is...well...something else. ALL of it is good for listening to. By doing so you will find what works for you. Nothing is absolute...but each style has its advantages and disadvantages: example: Pointing out to the side looks sharp and clear...but you take your eyes off the field. Even with a partner this could have disastrous consequences. The hammer keeps your eyes on the field...but increases your chances of interfering with the catcher. |
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My point here is, for close to 25 years I pointed and watched my little finger and NEVER did I miss anything on the field because I waited until the catcher was throwing the ball back to the pitcher to make my sign. So I keep hearing about not turning your head but, can anyone point out ONE time they got into trouble because they did??? Not trying trying hijack the thread but, well I didn't bring it up. |
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My point is this - going to the side, while not a bad thing and manageable for some, can reduce the amount of time you are watching the field while subsequently increasing the chance for you to miss something...be it a pick-off, doctoring the ball, or whatever. I am merely suggesting that umpires be aware of this possibility when working on their mechanics. I that reasonable? I see your point though...wait for the catcher to throw it back before signaling. I suppose that could solve the problem. But to my point - I prefer to keep my eyes front. It reduces the chance of something happening while I try to keep from looking at my finger...and subsequently the chances of the competitors giving me...a finger. When working solo the need for eyes on the field is even greater. Overall, I don't see how developing mechanics that keep your eyes on the field can be a bad thing. |
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I'm a long-time "pointer" and haven't run into any problems. But, my point is more toward the 1B coach's box than directly perpendicular to my shoulders(toward the team's dugout) so that people in the dugout don't think I am "pointing" at them. As a result, my head turns very little. And I use the GD stance; but I rise up first before verbally calling the strike or pointing for a swinging strike. Helps slow me down.
And if I sense something other than a normal swing occurring, like a dropped 3rd strike or a steal, then I point to my side without turning my head at all so I can concentrate on the action. |
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