Quote:
Originally Posted by johnny d
I understand that in some situations there are vastly different philosophies between the NCAA-M and NCAA-W but I don't see how a double whistle on a transition play in the paint is a problem. Sure a cadence whistle would probably be better, but I just don't understand the mentality to avoid double whistles.
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NCAAW frowns on double whistles in many instances. This would be one of them because the play clearly started and ended in the C's primary. If the C doesn't do anything then the L can blow but those are our marching orders.
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