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Refs and coach/AD
As a newbie, my instructors are hammering home to establish excellent mechanics including use of proper signals. While other officials notice this, I would think that coaches and ADs are more focused on getting the calls right then on signals.
Vets, is this true? |
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I'd say the easiest thing for young officials to perfect is mechanics (specifically good signals). That just comes from time in front of the mirror practicing. That can be worked on from day one. Play calling is something that comes with time, so invariably, you'll have struggles with that. |
I agree with APG. The better your mechanics and positioning, the more likely you are to get the benefit of the doubt on close calls.
Show up in gray tennis shoes, white socks, and almost black dress slacks (brown belt) sometime and see how many calls get questioned as opposed to when you're in the proper uniform. |
The better your mechanics, the more likely you are to get the call right in the first place. If you could call the game from anywhere, we wouldn't be on the court in the first place.
The only thing a coach likes less than a bad call is not knowing what you called in the first place. Communication, including signals, is an important part of the job. What's more, these are both areas that focus and effort bring quick results. You can't rush experience, but mechanics and signaling can be practiced anywhere. This makes it a good investment of time for the new official. |
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But that's just me..... The optimum is both, of course. Get the call right while using the correct mechanics. |
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But it is a lot easier and controllable to perfect your mechanics than it is your play-calling. One thing that holds rookies back in their first year is that they spend so much time thinking about their mechanics that they lose focus on play-calling. They screw up basic mechanics and start getting nervous and flustered and forget all about game. Work on your mechanics off the court so that you are confident with them when you get on the court and it will free your mind up to start looking at the plays correctly. And if your mechanics are decent from the get-go then your observers/evaluators/mentors can concentrate more on your play-calling abilities instead of having to nit-pick you with mechanical stuff. |
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Coaches/ADs are not specifically concerned at all about mechanics, but if you look sharp, you and your calls will be taken more seriously -- everything else being equal.
Not really anything to do with mechanics, but with perspective: My first few years, I had a LOT of trouble with women coaches -- jr. high to college. Not all of them, but most, for some reason. In the mid-90s, I was out for a couple of years for injury and slowly got back into things over the next several years. Instead of being a late college student or recent college grad, I was now as old or in some cases older than the coaches and handling women coaches is one of my strengths. I can not recall a T I've given a woman head coach in the last 5 or 6 years. Same official, different outcome. |
Only thing I would add is to remember they're not always going to agree with your calls anyway. That's why they are called howler monkeys. I would at least prefer my mechanics have me in the right spot, and my signals are crisp so at least maybe there is a little doubt in their mind that maybe they ARE crazy and I do know what I am doing ;)
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Peace |
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Mechanics Are Fun ...
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Note to Mark Padgett ...
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Not that I advocate ever getting the call wrong, but much of the time you're more believable if you come out with a good, strong wrong call than a weak, unconvincing right call. Good mechanics can buy you some credibility until you have time to establish a reputation as being a good official. Bad mechanics can doom you before you even get started.
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In the locker room after the half, I asked my partners about it and the Trail said it was definitely red. Other partner (VERY well-established official) said that's one where -- especially since I wasn't 100% on it -- it could have used a little "sell" and maybe diffused the reaction. |
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All I can say...
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Couldn't of been said better......................
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Do everything you can to "look the part"!!!! Then during the summer you can become a "play caller" and a "game manager". But at this part of your career the confidence that you exude through proper mechanics will call a long way with players coaches and your partners !!!!!! |
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Pick at most 2 or 3 things to work on. When you get one of them down, pick something else. |
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Smart Guy ...
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Me personally, I usually 'sell' a call when I whistle something out of my primary, usually to indicate to everyone that it was something I had to go get. |
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1) Strong whistle ( an experienced ref said he couldn't hear my whistle all the time. I solicited his opinion after my third game ) 2)" crisp " signals 3) proper reporting |
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Actually I think it is the Mini . It was a fairly small crowd and I thought I was whistling ok . I also was looking to get a whole list of stuff I messed up ,but the whistle was his only complaint ! |
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If the first thing you do when you blow the whistle is just pause for a moment, think about what you are going to call, then raise your arm with a hand or fist, then pause again, make the call (and give a preliminary signal, if needed), then pause again, point to the spot/signal number of shots, pause again, then either go to your new position or go to the reporting area in the case of a foul. If a throw-in situation, check for subs, check with your partner, pause again and then put the ball in play (or watch your area). If reporting a foul, STOP completely once you have reached the reporting area, pause, make eye contact with the scorekeeper, count the basket (if appropriate), report the fouling team/player, pause, report the infraction, pause, and indicate the number of free throws (or spot). Make sure that the scorer has processed the information. If a throw-in, check for subs (bring them in, if there are), pause, make eye contact with your partner, put the ball in play (or watch your area). If shooting free throws, briskly move to your position, pause, make eye contact with your partner to make sure that you are both ready for play and that he/she is indicating the proper number of free throws. If you consciously try to go very slowly, you will likely be going at a very good pace. Generally, newer officials are always in a hurry to do everything. By slowing down, you have an opportunity to worry about one thing at a time. |
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I don't like this advice. I don't think it is necessary. Many new officials do not work on these things away from the court: 1. Signals - we can all perfect our signals in front of a mirror. Game action will cause them to likely fall below perfection, but they will still be good from practice. 2. Rule knowledge and application 3. Uniform |
The whistle and your mechanics are your voice on the court. Speak wisely!
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Can You Hear Me Now ???
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No Need To Share The Answer With Us ...
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